This track is short in nature but features a memorable motif, which repeats throughout the whole track. The track ends with a vocal chant that fades out making it perfect theme tune for a TV show or similar.
This track is a calm before the storm style track. With tribalistic drum beats and a gradual rise, it helps build a developing moment for a character situation. Showing that this is not the end but a new chapter.
Driving percussion, dream like synths, shimmering piano lead and deep lead vocal give this track the perfect vibe for a TV commercial for something high fashion such as designer brand perfume aftershave or a designer clothing brand.
This track slowly builds with arpeggiated bass synths, a high lead celeste synth and rising swells all of which builds up to a huge ending with epic tom percussion and pulsing polysynths. This track is suited perfectly for placement within a tense and scary scene in a Sci-Fi series or film.
Oblivion consists of dirty, punchy percussion and lush arpeggios that build before a big drop at the end. Oblivion was composed with TV commercials in mind the structure of this track makes it a great applicant for being used for a big reveal.
Supernova is a Sci-Fi based composition with aspects of orchestration through out. Piano and polysynths are the main focus of the first section, strings gradually enter and the piece picks up before an explosive ending in which massive bass and lush arpeggiating synths flow throughout the sonic space.
Arpeggiating Juno synths give off an eerie vibe through the first half the song before a dream like choir enters, increasing tension and pulling the song into its explosive ending of big tom percussion and huge synths.
A New Home has a nostalgic vibe that s suited to being placed over a majestic moment, or a moment that is exploratory in nature. The song makes use of Juno-60 and Mini Moog synths giving it it s 80 s, Sci-Fi vibe.
A piano piece that is joyous but somewhat sorrowful at the same time. The piece focuses around two main sections and eventually builds into a beautiful and rich soundscape in its final moments. This piece is well suited to anything that may be relating to love and emotions within a character.
Driven by a light lead line and modern drum beat, Firefly creates a spacious and a dream state like environment. This track helps to add a delicate and floaty tone to any media situation you use it for.
An eerie synth lead and unnerving Shepard tone that repeats and builds throughout this track makes it the perfect candidate for being placed over an intense, tension building scene between two main characters just before a fight ensues.
City in The Clouds focuses largely on two alternating melodies and is driven by a bongo percussion section. It s bongos and rainmaker percussion create a jungle tribal vibe, whilst it s pulsing bass adds a sense of urgency to the piece.
From the Shadows is an eccentric mix of Sci-Fi and orchestration. Polysynths are littered throughout the piece whilst also accompanied by lush strings and choirs. This track reaches a climax of huge orchestration and driving percussion after a slow crescendo throughout the entire piece.